I was one of the female stars in the 1972 American/Filipino film
Savage (aka Black Valor). It was written by B-movie screenwriter Ed Medard
for Roger Corman. It was directed by Cirio Santiago in the Philippines. The film enjoyed much success on the B-movie circuit, though it was never shown on American
television. Probably, because of some nudity.
A very interesting location during the filming of Savage was the Island of
Luzon. Even though it was only about 30 miles from Manila, it seemed to be
another world. After playing war on the beach, I decided to wade into the
Philippine Sea. It was warm--like taking a bath, because the Taal Volcano
was active. Even more interesting: the volcano had a lake with an island on it.
The island also had a lake on it. To top it off, there were people living
on the island. So the Filipino Government were hurriedly assisting the
people down the mountain. There had been a deadly eruption of the Taal
Volcano in 1965. Seven years later, no one wanted to chance it.
As I looked towards the top of the Taal Volcano, I wondered how people could
even feel comfortable living on top of an active volcano. However, even in
the small Village of Taal, they seem to take it in stride. The Filipino
people living in small rooms built on stilts on the beach, didn't even seem
concerned about a tidal wave. They had lived that way for centuries. When
the Philippine Sea rose, they stayed huddled in their stilted home. They
felt like they were part of the sea...they never fought against it. So their
floors had open spaces so that the salt water could run back out, and join
the Philippine Sea.
While sitting in one of their homes, I noticed that they seemed to be void of
the stress of modern society. Some were very old with strong black hair with
just a hint of gray. They adjusted to mother nature's blessings and wraths,
and were not even aware of the Viet Nam War or any of man's nuclear powers.
Their parents probably went through World War II without really being
affected. After all, I'm sure the Japanese never went on top of the Taal
Volcano looking for anyone. They truly were the free people.
As a whole I love Filipino food. Like most Asian food, it's spicy and
delicious. Working with Cirio Santiago, of course, gave us assets to the
best caterers in Manila. However, working on the beach in Taal, he used the
local people. Attempting to please me with what they thought was a delicacy,
I had raw seaweed placed under my nose. The smell seem to reach to the pit
of my stomach. I felt light-headed as if I would vomit. No matter how
healthy raw seaweed was, I realized that at 3:00am I couldn't deal with it.
Again, I had another reality check. The first when I first arrived in the
Philippines which was learning to sleep with lizards hanging on the walls.
The second was I couldn't eat directly out of the sea as the Taal people.
Again, I found myself being American...hotel, Holiday Inn?????? I was
definitely ready for the Manila Intercontential Hotel.
After spending most of the day on the beach, we headed for a hotel in the
Village of Taal. Needless to say it was rickety. The beams even seemed
shakey holding the old hotel up. Perhaps it wasn't even that old, the salt
air off of the Philippine Sea certainly added to the deterioration of the
wood.
After we were settled into our rooms, Lada Edmund, Jr., Sally Jordan, and
myself decided to walked to the beach. Cirio Santiago ran out of the hotel,
saying it wasn't safe. Not safe? Somehow Santiago had some intelligence that
rebels were in the area. He was so nervous, he had guards coming in from
Manila. What the upper class called rebels, they called themselves
revolutionaries. After dinner, while laying in the bed, I calculated my
odds. If they did decide to hit the hotel, they wouldn't stop to ask me if I
was an American. I was the size of a Filipino woman, and they could assume
that my natural was a wig. Perhaps, by Lada and Sally being blond they would
stand a chance. After several hours of thinking about the rebels, I decided
to go to sleep. If they did hit the hotel, it would be swift. If we made it
through...well, I'd wake up refreshed.
We made it through the rest of Savage without any more incidents, except
for gun powder burns on Lada Edmund, Jr.'s hand. All of Santiago's guns were
relics from World War II.
The underwater scene in Savage was filmed in a swimming pool that could be
viewed from a nightclub bar. Actually, I got a kick out of the fact that
people could sip on a drink and watch people swim. Not wanting to have
anything to drink, I proceded to the ladies room. Lada Edmund, Jr. ordered a
Tom Collins. I thought that was odd, because swimming underwater and alcohol
didn't mix. But then Lada had become quite reckless. She'd, also, become
vicious towards me. I couldn't figure that one out, because she was dating
every rich playboy in Manila. She was always at the Polo Matches. Yet, I
knew something was wrong, because she couldn't be alone. Oh, well, I joined
Sally Jordan in the ladies room. She had another problem...the first
American white girl I had met who couldn't swim underwater. So while pulling
on my bikini bottoms and making sure my makeup would last underwater, I was
teaching Sally how to hold her breathe. By the time I got up to the swimming
pool, my white satin costume for the next scene was at the bottom of the
pool. I looked at Lada ignorantly drinking before a water scene. She smiled
and continued sipping. I rushed over to Cirio Santiago livid. He assured me
he'd have another made...a better outfit. During the filming of the entire
underwater scene Lada Edmund, Jr. and I had nothing but "ice water" between
us. And, of course, Sally Jordan kept surfacing to get air. It took all day
to film that one scene. After that, I needed to sit at the bar myself, and
watch the people swim.
Although I enjoy a little comic relief from time to time, I'm tired of the confusion stemming from Spielberg's Savage (aka Watch Dog). There's something strange about being listed in a Universal TV movie called Savage that was directed by Steven Spielberg which I never filmed. It's definitely a joke that doesn't make me laugh.
Carol Speed, August 2001